Head of a Kore probably from a stand of an incense burner (thymiaterion), a lampstand or some other kind of metal vessel. The neck’s underside preserves a hollow socket so the head could be fitted to another part, today lost. On top of the head is an almost globular element that supports a slightly concave disc with six small holes. Bronze nails have been preserved into two of these holes confirming that they were used to secure a vessel.
The figure’s triangular face, flat head and wavy hair resembling a wig, all bring to mind eastern elements of the so-called “Daedalic style” which blossomed in Greece from the second half of the 7th cent. BC. The name derives from the mythical Daidalus who according to tradition was a great architect and sculptor, and the founder of monumental sculpture.
De Ridder, A., Bronzes Trouvés sur l' Acropole d'Athènes, Paris, 1896, σελ. 330, εικ. 323, αρ.κατ. 819 Rolley, Cl., Les statuettes de bronze (Monuments figurés: Petits bronzes), Fouilles de Delphes V 1, Paris, 1969, σελ. 117, 156 Weber, M., «Zu frühen attischen Gerätfiguren», Mitteilungen des Deutschen Archäologischen Instituts. Athenische Abteilung 89, 1974, σελ. 27-46, εικ. 20 Rolley, Cl., Les Bronzes grecques, Paris, 1983, σελ. 230, εικ. 225 LIMC II, Aphrodite, σελ. 17, αρ.κατ. 77 Fuchs, W., Floren, J., Die griechische Plastik, I: Die geometrische und archaische Plastik, München, 1987, σελ. 303 Scholl, A., «Die Akropolisvotive aus dem 8. bis frühen 6. Jahrhundert v.Chr. und die Staatswerdung Athens», Jahrbuch des Deutschen Archäologischen Instituts 121, 2006, σελ. 106-107, 157, εικ. 45, αρ.κατ. 120