“Graecia capta ferum victorem cepit” — Horace
“Captive Greece captured her savage conqueror.” With these words, the poet Horace accurately described the fascination that ancient Greek civilization exerted upon the Romans. Art, literature, philosophy, and education inspired Roman society and profoundly shaped it, resulting in the creation of the Greco-Roman civilization, essentially the foundation of Western civilization on a global scale.
This influence proved decisive from the very beginnings of the relationship between the Greeks and the peoples of the Italian Peninsula, Etruscans, Latins, and others, as well as, naturally, with the peoples of Sicily and southern Italy, where important Greek settlements and colonies were established.
The Exhibition focuses primarily on the Art and the influence of the ancient Greek Art on Roman civilization until the 20th century. Thirty eight masterpieces in ceramic, bronze, and marble, unique works that are not exported from the Museums of Italy, comprise this Exhibition, which is organized into seven Sections:
Section I – Before Rome: Greek Merchants and Etrusco-Italic Aristocrats
Section II – Artists in Magna Graecia
Section III – The Sea as an Archive
Section IV – The Romans’ Greece
Section V – Living the Greek Way
Section VI – The Aristocratic Collecting of Modern Era
Section VII – Italian Looks: Canova, Savinio, de Chirico
A unique exhibition of inspiration, a gift and a collaboration between Italy and Greece.


Temporary Exhibition Gallery, Museum's ground floor
Entrance to the exhibition is free. A free admission ticket is required from the Museum Ticket Desk.
Greek, Italian and English signage with the possibility of scanning QR codes for additional information on each exhibit.
Scientific catalogue in Greek, Italian and English, available in the Museum Shops.
Join the Museum’s archaeologists on a guided tour among thirty-eight masterpieces in ceramic, bronze, and marble, unique works which are travelling outside Italy for the first time. The Exhibition is organized into seven Sections, and the antiquities are arranged in such a way as to highlight the development of ancient Greek art in Italy as a complex procedure of multiple forms of cultural exchanges.
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