Fragment from the frieze of the Erechtheion's north porch on which a standing female figure is depicted. The woman projects her left leg and with her left hand pulls her fine himation which clings tightly on her body outlining thus her figure as if she is almost nude. Her right hand would have been raised.
The Erechtheion's frieze ran along the upper part of the walls of the cella, as well as the north porch. It was adorned with figures of gods, heroes and mortals with the figures depicted on the porch frieze rendered slightly larger in size than the rest. They all were worked on all sides except the back side, carved in white marble from the island of Paros and fastened with metal brackets onto background slabs of gray stone from Eleusis. The surviving frieze fragments are just a few, therefore, our understanding of the frieze's original theme, which possibly relates to the myths and cults associated with the Erechtheion and more specifically Erichthonios, is not possible. The inscription Ακρ. 6667 δ preserves the names of some of the artists who sculpted the figures as well as their wages.
Pallat, L., «Friese des Erechtheion», Antike Denkmäler 1895-1898, 2, 1908, σελ. 6-15, εικ. 31-34 Pallat, L., «The Frieze of the Erechtheum», American Journal of Archaeology 16, 1912, σελ. 175-202 Casson, S., Brooke, D., Catalogue of the Acropolis Museum. Sculpture and Architectural Fragments, with a section upon the Terracottas, II, Cambridge, 1921, σελ. 210, αρ. κατ. 1300 Paton, J.M., Stevens, G.P., Caskey, L.D., Fowler, H.N., The Erechtheum, Cambridge, 1927, σελ. 248, αρ. κατ. 7 Boulter, P.N., «The Frieze of the Erechtheion», Antike Plastik 10, 1970, σελ. 16-17, εικ. 9 Smoke, S.J., The Erechtheion: Deciphering the Fragments of the Ionic Frieze. masters in B.A., Louisiana State University, 2010, σελ. 79 Jacob, R., «Une figure recomposée de la Frise de l'Erechtheion», Revue Archéologique Fasc. 2, 2014, σελ. 303-324 Λεβέντη, Ι., Πόλη σε κρίση, Αθήνα, 2014, σελ. 161-163